survey-of-output-of-sundry-licensed-pro ... 39533.html
Robert E. Howard and Edgar Rice Burroughs seem particularly prolific in terms of properties adapted for North American comic books. Following this pattern, Clarence Mulford had sundry Hopalong Cassidy tales published in comic books. The Shadow commenced as a narrator for a radio; as Walter Gibson attended to crafting the Shadow as further to a narrator, mention occurs for this deliberation. By contrast the Lone Ranger commenced as a radio show, and the writers of the show clearly crafted the Lone Ranger as an adventurer, so I will not credit said writers. Sax Rohmer's output seems due to his adventurer Nayland Smith and his opponent Doctor Fu Manchu as supporting cast or antagonist particularly for Master of Kung Fu.
Reprints of syndicated strips will remain outside of this deliberation, as will foreign comic books.
Bram Stoker and Mary Shelley seem to have particular records due to vampire Count Dracula and sundry Frankenstein creatures or family members. Donald Glut already attempted to log the sundry Frankenstein adaptations in the aptly titled Frankenstein Catalogue. Vampire Count Dracula only seems to have sparingly appeared in North American comic books prior to the 1970's, though obviously this situation has reversed.
A few authors with perhaps surprisingly limited output entail, perhaps amongst others, Philip Nowlan, due to the paucity of Buck Rogers other to syndicated strip reprints, Zorro's checkered output for North American comic books perhaps other to in Spanish hampers Johnston McCulley, and J.K. Rowling seems to have barred Harry Potter comic books, though perforce Tim Hunter already had debuted well ahead of his ex officio brother. The Phantom (Curtis Van Loan) did adapt comparatively loyally to comic books, but not very prolifically, nor has G-8. Adaptations of prose espionage tales seem only intermittent.
https://classiccomics.org/thread/8224/c ... er-gadgets
Robert E. Howard and Edgar Rice Burroughs seem particularly prolific in terms of properties adapted for North American comic books. Following this pattern, Clarence Mulford had sundry Hopalong Cassidy tales published in comic books. The Shadow commenced as a narrator for a radio; as Walter Gibson attended to crafting the Shadow as further to a narrator, mention occurs for this deliberation. By contrast the Lone Ranger commenced as a radio show, and the writers of the show clearly crafted the Lone Ranger as an adventurer, so I will not credit said writers. Sax Rohmer's output seems due to his adventurer Nayland Smith and his opponent Doctor Fu Manchu as supporting cast or antagonist particularly for Master of Kung Fu.
Reprints of syndicated strips will remain outside of this deliberation, as will foreign comic books.
Bram Stoker and Mary Shelley seem to have particular records due to vampire Count Dracula and sundry Frankenstein creatures or family members. Donald Glut already attempted to log the sundry Frankenstein adaptations in the aptly titled Frankenstein Catalogue. Vampire Count Dracula only seems to have sparingly appeared in North American comic books prior to the 1970's, though obviously this situation has reversed.
A few authors with perhaps surprisingly limited output entail, perhaps amongst others, Philip Nowlan, due to the paucity of Buck Rogers other to syndicated strip reprints, Zorro's checkered output for North American comic books perhaps other to in Spanish hampers Johnston McCulley, and J.K. Rowling seems to have barred Harry Potter comic books, though perforce Tim Hunter already had debuted well ahead of his ex officio brother. The Phantom (Curtis Van Loan) did adapt comparatively loyally to comic books, but not very prolifically, nor has G-8. Adaptations of prose espionage tales seem only intermittent.
https://classiccomics.org/thread/8224/c ... er-gadgets
statistics: Posted by Scathach80 — 4:58 PM - 1 day ago — Replies 12 — Views 95